This post is written with you in mind, a person, the community access television producer. Whether you film in Brooklyn, Manhattan, Bronx, Queens or Staten Isle, if you are studying television production or even if you are in the television production company at a community access studio, you will discover some helpful hints inside this article. This post is about community access television creation, in general, not specifically about any particular studio or station.
This topic, the studio is a very wide topic. I will try to tell you as much about the studio that I can group into this short article. First I will remember that all studios are different. So this description is a description of some studios and in some cases, most studios for neighborhood access television.
The Building: Generally the buildings that house these community accessibility studios are very secure. There are uniformed security guards in most of the buildings, and some have security downstairs and upstairs. There are sign-in books downstairs and upstairs, so there is double security. In the Staten Island local community access building, the surrounding area of the building is secure in that there is a linked fence around the parking lot/entrance and a safety guard right at the entrance towards the parking lot. In the Brooklyn creating, there is no parking lot (and occasionally parking can be near impossible). The region is secure in the respect that there is no parking and no standing -on the whole block of the building. There are no meters and no suggestions that anybody need park anywhere near the creating. There are patrolling police officers in the neighborhood (It is a high-traffic -both automobile and pedestrian- area). As always, the Manhattan building is in an occupied part of Manhattan, goes without saying that parking there is probably near unattainable unless you want to pay rent for your car. Most ideal situations in all three of the studios is to use public transportation, bike, bus or walk to the galleries. (The Staten Island building is usually most accessible by automobile). Once inside the building, no matter what your “outside” life or personality is like, producers, staff, administration and interns expect respect and dignity. If you are drunk, high or in a particularly ridiculous aggressive mood, try and wait before you are feeling better before you technique the studio building. This will save you embarrassment and possibly suspension from the providers of the community access studios.
Accessibility: Most of the buildings have elevators and stairways to use to gain access to the particular studios. Most of the buildings have dressing rooms and rest rooms, plus some have water coolers, cups plus conference rooms. (Check with every individual studio to find out more details). There are certain regulations that all visitors and producers must abide by. These are general courteous rules (that I have mentioned in some associated with my other articles). This is an office, so treat it that way. Generally there is no smoking and no drinking inside the buildings. Generally there are no animals allowed inside the buildings. If you need special permission to bring animals inside, ask Administration ahead of time. Generally, the law permits seeing-eye dogs or dogs needed because of physical disabilities, but it would be fine if you let people know -ahead of time -that you are bringing these types of into the building. The reason you need to alert staff is because sometimes staff modifications and there might be new people on who have not yet learned policy. One more to alert is because if you need some thing special -for the animal, or special accommodations, then staff will know about this ahead of time. Almost everything will be done to accommodate you when you put reasonable demands in to Administration. Of course it goes without saying that many likely you will not receive permission to do anything dangerous inside the building (i. e. to bring in starving, growling pit bulls -that is just a good example). So always ask permission when you need to do something that is generally contrary to the building or studio policy.
Timing: Each studio, and each Administration provides their own rules about timing. Follow these rules and you should have no difficulties when producing your own shows. (For example, the Brooklyn and Manhattan studios have regulations about how long they will “hold” the studio for you if you do not show up at your appointed period. You might lose the spot for your show if you are too late. There are other timing guidelines about how far in advance you can book the studio for your own use, along with other timing regulations that state whenever you must vacate the studio after your production is over. For comprehensive details, see the studios manuals and or ask Administration what the most recent rules are or if the guide has been changed in any way. Do not take anyone’s work for timing or various other issues. In the past, producers have been incorrect with information, so take it from the manual or from Administration’s word.
Availability: Most times, the facilities is available on a first-come, first-serve basis. That means that if you want to reserve to get a particular time or date, you need to arrive at the studio in well advance of that time or day to reserve the studio. Tend not to wait until the last minute. You will not possess your spot for the time that you want this. Most times after seven P. M. are hard to reserve. If you want now, you need to prepare to be at the studio room well in advance of your reservation day. Check with your own studio for full details. Sometimes the easiest time to book might be o. n a Sunday or Sunday morning, but normally, this is the hardest time to recruit suppliers to help on those shows. There is nothing impossible, so do not be dismayed. These are just examples. Arrive at your own studio to receive full details of what your studio expects. Never believe hearsay; just check it out for yourself.
The Business Area: This area is for the specific filming of the show. The studio room area (depending on which studio you happen to be in) is an area that might have a small stage. Some studios have carpeted platforms that you can use. Some companies have pianos and almost all possess the set of professional lights -in the particular ceiling area, and lights on light stands. Most have gels, mic stands and many different kinds of microphones. The Brooklyn studio has lavalieres, wireless microphones, boom mic appears, a large variety of light stands, and tons of other equipment for your display. The studio also has robotics cameras and regular studio cameras. If you discover any equipment needing repair, constantly mention it to the staff or even anyone working in the Public Equipment space. If you are given broken or rough equipment for your show, report that to Public Equipment and ask if there is a replacement for that. Do not plug all of your own equipment into the wall boards. These wall boards are for that studio equipment not for outsiders’ use or for your own equipment. If you need to use your own equipment in the facilities, first you need to report that you are getting it inside the studio (to the safety guard at the desk). He or she may record the serial number, model number and other information into the security log book. Then if you need to link it anywhere, you cannot do that with out permission from Public Equipment. The particular studio area is for studio shows, and it is not for field shows, so only qualified, certified facilities producers will “count” towards your producer count to enter the studio. (Each time you do a show, you are required to have a certain number of certified producers with you or you will not be allowed inside the facility area). Only studio producers count towards this number of producers. Your loved ones members can work as producers on your show after they have passed the courses that are for studio suppliers. Once they become officially certified you can have them work on your shows. Just before that time, they are permitted in the facilities only as hosts, guests, skill, performers, speakers, audiences or co-hosts. Your family or friends are not allowed to handle any equipment at all until they are officially certified producers.
Garbage, Garbage & Recycling: It is to your own advantage to take all of your trash, trash and recycling out of the studio and control room areas. (No food or drink is permitted inside these areas). If you see trash in there when you arrive, clean it up and remember that you need to leave the areas thoroughly clean for the next producers. No one wants to use a dirty studio. Most of our own professional producers have consideration for that other producers and they do cleanup. If you are one that leaves trash around; change your habits at least while you are at the studio. The way we producers flourish in business is by being courteous, sincere, reasonable and clean in all of our productions.
Hierarchy and Rank: We have been in America here, so a good thing to remember is that you are no better than any other producer in the studio. You are a producer, they are producers. If you think you have higher rank in community access just because you have produced hundreds of displays or because you are at the business for years, then you have a mistaken idea. What you do have is more experience, that is all. So treat all suppliers with the same respect. Treat brand new producers with the same respect which you treat seasoned producers. We are all of the same rank, even if we are not every of the same experience. Everyone may learn from someone and most everyone may learn something from somebody else. You can learn from new producers as much as you can study from a seasoned producer. it is most in the attitude and the attention that you simply give to your work. If you meet the producer who appears bigger than life, walk the other way and use producers who are your equals. Once you meet professional producers, they will treat you with respect, no matter how long you have been with the studio or in the industry. Only egotists will look down on the newer producers, and those are the ones that you need to avoid if you want to be happy and successful in your productions. Naturally , that is your own choice; everyone is a person, and if you enjoy working with egotists so is your own choice.
Responsibility: Since the Executive Producer of the show, you happen to be completely responsible for all equipment. A person sign for it and you stick to your contract. Therefore this is a great reason to ask only responsible producers to help out on the show. They will be handling the equipment, so recruit producers cautiously.
ASK; Don’t Tell: This is probably some of the best advice that anyone can provide you with while you are in television production. Inquire people, do not tell them. Ask them how you can help. Do not tell them what to do. You are able to offer suggestions or you can say, “This is the way I do it, you make your own choices”. By inquiring and not telling people what to do, you can develop better relationships with makers, staff and interns. No one really wants to be told what to do as if they are a child or as if they do not know something. Put yourself in their place. Therefore , ask don’t tell (and also this is a suggestion to you). Of course , you will make your own choices when it comes to your own productions. If you are close friends with someone, perhaps you might tell them something, but even then, your words and phrases and ideas are more accepted or listened to if you just put them across as ideas or suggestions less demands or orders. One way to actually turn people off is to type in all capital letters as if you are more important than they are (You run into like that when you type complete sentences or titles in capital letters). People can see your type; they can read your type so why yell at them? Notice the difference in how you get someone’s attention? Discover what it looks like?
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It is like, HI YOU MUST READ THIS! Some people believe that bold or italics are shouting also. The key here is to use the particular bold for one single word or even for topic leads or titles (as I use the bold in this article at the head of each section. I bold the first words so the readers can skim the article and read first what he or she wants to examine. Then the reader can go back and read the rest of the article. When people type in all caps, they are coming across as very bossy and sometimes even inconsiderate of others. So when anyone comes across like that it is dull, boring, and most times uninteresting mainly because humans want to be treated as equates to. And producers are human as well. (Read any book at all regarding blogging or groups or on-line conversation and you will read the same thing. Caps are shouting and there is no need to shout at anyone at all. If you are using caps for one single word, that is a little different. But you can use strong for emphasis or a different typeface for emphasis or even quotation represents for emphasis